TAYLOR STEVENS - THE INFORMATIONIST
900,00 RSD Originalna cena je bila: 900,00 RSD.500,00 RSDTrenutna cena je: 500,00 RSD.
LAURENCE O'BRYAN - THE MANHATTAN PUZZLE
900,00 RSD Originalna cena je bila: 900,00 RSD.500,00 RSDTrenutna cena je: 500,00 RSD.
E.J. SWIFT – TAMARUQ
900,00 RSD Originalna cena je bila: 900,00 RSD.500,00 RSDTrenutna cena je: 500,00 RSD.
Fleeing from her family and the elitist oppression of the Osiris government, Adelaide Rechnov has become the thing she once feared, a revolutionary.
But with the discovery of a radio signal comes the stark realization that there is life outside their small island existence. Adelaide’s worries are about to become much bigger.
Meanwhile, as rumour spreads on the mainland, many head to the lost city of Osiris with their own devious objectives. But in a world where war is king and only the most powerful survive, there can only be one victor…
The thrilling, epic finale to The Osiris Project
1 na zalihama
Kategorija: English books
Recenzije (0)
Budite prvi koji će napisati recenziju za „E.J. SWIFT – TAMARUQ“ Odustani od odgovora
Povezani proizvodi
ALEX KAVA – FIREPROOF
New York Times bestselling author Alex Kava returns in a blaze of glory with a gripping, action-packed thriller featuring special agent Maggie O’Dell,who is leading the search for a serial arsonist whose crimes threaten Maggie dangerously close to home.
When a building bursts into flames on a cold winter night in D.C., investigators see a resemblance to a string of recent fires in the area. There is one difference, however: This one has a human casualty. The local team insists they’re looking for a young white male, suffering from an uncontrollable impulse to act out his anger or sexual aggression. But when special agent Maggie O’Dell is called in, everything she sees leads her to believe that this is the work of a calculating and controlled criminal.
BRAD THOR – FULL BLACK
Everybody knows that governments engage in activities that are top secret and not always carried out by-the-book. They are knows as 'black ops'. But perhaps less well known is that there is a level beyond this, when the very existence of the state is threatened and the situation needs fixing instantly and utterly secretly and probably violently. Sometimes, it's necessary to go 'full black'. And when the USA is in that position, the man most likely to lead the mission is former Navy SEAL Scot Harvath.
FULL BLACK finds Harvath in Sweden, executing in an audacious plan to prevent a massive attack on the Unites States by leading a team to capture a suspected terrorist and infiltrate his cell with a double agent.
At the same time, Larry Solomon, one of the most famous film producers in Hollywood, is attacked in his home by a special forces-style group of assassins and only escapes with the help of his friend and former Delta Force operative Luke Ralston.
In making a documentary film, Solomon has unknowingly exposed one of the world's wealthiest and highly connected power-brokers as a man determined to plunge the West into deadly chaos. Now, both Solomon and Ralston are living on borrowed time.
As the plots rocket to their pulse-pounding conclusions, Harvath will be left with only one means to save his country. Unable to trust anyone, he will be forced to go FULL BLACK.
DAVID HEWSON – THE KILLING III
A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED
Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen.
When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her?
Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.
GARCIA/STOHL – DANGEROUS CREATURES
From the world of Beautiful Creatures--the instant New York Times bestselling tale of love and magic.
Ridley Duchannes is nobody's heroine. She's a Dark Caster, a Siren. She can make you do things. Anything. You can't trust her, or yourself when she's around. And she'll be the first to tell you to stay away--especially if you're going to do something as stupid as fall in love with her.
Lucky for Ridley, her wannabe rocker boyfriend, Wesley "Link" Lincoln, never listens to anyone. Link doesn't care if Rid's no good for him, and he takes her along when he leaves small-town Gatlin to follow his rock-star dream. He teams up with a ragtag group of Dark Casters, and when the band scores a gig at a hot Underground club, it looks like all of Link's dreams are about to come true.
But New York City is a dangerous place for both Casters and Mortals, and soon Ridley realizes that Link's bandmates are keeping secrets. With bad-boy club owner Lennox Gates on her heels, Rid is determined to find out the truth. What she discovers is worse than she could have imagined: Link has a price on his head that no Caster or Mortal can ever pay. With their lives on the line, what's a Siren to do?
Kami Garcia and Margaret Stohl, the #1 New York Times bestselling coauthors of the Beautiful Creatures novels, are back to cast another magical spell. Their signature blend of mystery, suspense, and romance, with a healthy dose of wit and danger, will pull fans in and leave them begging for more.
It’s Only a Movie: Reel Life Adventures of a Film Obsessive
To avoid fainting keep repeating,
It's only a move
..only a movie
..only a movie
..only a movie
If you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon realised that there was only one career open to you - you'd have to become a film critic.
In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he embarks on a gut-wrenching journey through the former Soviet Union on the trail of the low-budget horror flick Dark Waters, cringe as he's handbagged by Helen Mirren at the BAFTA awards ceremony, cheer as he gets thrown out of the Cannes Film Festival for heckling in very bad French, and don't forget to gasp as he's shot at while interviewing Werner Herzog in the Hollywood Hills. Written with sardonic wit and wry good humour, this compelling cinematic memoir is genuinely 'inspired by real events'.
MICHAEL MOORCOCK – BREAKFAST IN THE RUINS
PHILIP JOSE FARMER – HADON OF ANCIENT OPAR
Opar, the lost colony of Atlantis, is hidden deep in the heart of Africa, awash with incredible riches. From this ancient city comes Hadon, an impoverished but ambitious young man who sets out to win the great games of Klakor, and thus become king of the Khokarsan Empire. As his quest for the throne leads him into the wild lands beyond the empire's edge, Hadon finds himself embroiled in a bloody civil war.
Featuring a brand-new introduction and afterword by Christopher Paul Carey (Gods of Opar: Tales of Lost Khokarsa)
Them And Us: Changing Britain – Why We Need a Fair Society
The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism for society's future wellbeing. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.

Recenzije
Još nema komentara.