The Stranger I Married – Sylvia Day

Darina is in denial. Even after all she's been through, the Beautiful Dead can't be real. They must be a figment of her grief-stricken imagination. But visions of Phoenix and Hunter prove otherwise and soon she's drawn back to Foxton, to the barn, to Phoenix - where they have, what may just be, their final reunion. It's the moment they've been dreading - time to solve Phoenix's mystery. Everything has been building to this but Darina knows that revealing the true circumstances of Phoenix's death will lead to their final parting. With this impossible mixture of emotions, Darina begins to unscramble the facts, but she's up against mounting obstacles: the distraction of Hunter's personal mystery, Phoenix's returning father, threats of gang violence and conspiracies to blur and block the truth. With time pressure mounting and the risk of Phoenix being sent back into unending limbo, Darina puts herself in danger, and so the mystery of the Beautiful Dead builds into a heart-breaking climax ...

To avoid fainting keep repeating, It's only a move ..only a movie ..only a movie ..only a movie If you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon realised that there was only one career open to you - you'd have to become a film critic. In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he embarks on a gut-wrenching journey through the former Soviet Union on the trail of the low-budget horror flick Dark Waters, cringe as he's handbagged by Helen Mirren at the BAFTA awards ceremony, cheer as he gets thrown out of the Cannes Film Festival for heckling in very bad French, and don't forget to gasp as he's shot at while interviewing Werner Herzog in the Hollywood Hills. Written with sardonic wit and wry good humour, this compelling cinematic memoir is genuinely 'inspired by real events'.

The third and final part of Gollancz's definitive collection of Moorcock's short fiction, this selection features some of his finest work. From 'The Time Dweller' to 'Breakfast in the Ruins', the stories here are incredibly varied in their style, execution and subject matter.

NEW YORK TIMES BESTSELLER • An official Oprah Winfrey’s “The Books That Help Me Through” selection • The acclaimed Nobel Prize winner transfigures the coming-of-age story with this brilliantly imagined novel. Includes a foreword by the author and a new introduction by Tayari Jones. One of The Atlantic’s Great American Novels of the Past 100 Years “A rhapsodic work. . . . Intricate and inventive.” —The New Yorker Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.