MAXIME CHATTAM – CARNAGE

A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED   Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her? Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.

Darina is in denial. Even after all she's been through, the Beautiful Dead can't be real. They must be a figment of her grief-stricken imagination. But visions of Phoenix and Hunter prove otherwise and soon she's drawn back to Foxton, to the barn, to Phoenix - where they have, what may just be, their final reunion. It's the moment they've been dreading - time to solve Phoenix's mystery. Everything has been building to this but Darina knows that revealing the true circumstances of Phoenix's death will lead to their final parting. With this impossible mixture of emotions, Darina begins to unscramble the facts, but she's up against mounting obstacles: the distraction of Hunter's personal mystery, Phoenix's returning father, threats of gang violence and conspiracies to blur and block the truth. With time pressure mounting and the risk of Phoenix being sent back into unending limbo, Darina puts herself in danger, and so the mystery of the Beautiful Dead builds into a heart-breaking climax ...

A chilling new trilogy from the author of the internationally bestselling The Last Apprentice series! Tom Ward is an apprentice no longer—now he is a fully fledged spook battling boggarts, witches, and other creatures of the dark. This three-book arc will introduce brand-new readers to Joseph Delaney’s haunting world, and delight longtime fans. Tom Ward is the spook, the one person who can defend the county from ghosts, ghasts, boggarts, witches, and other bloodthirsty creatures of the dark. But he’s only seventeen, and his apprenticeship was cut short when his master died in battle. No one trusts Tom’s skill, not till he’s proven himself. And a fifteen-year-old girl named Jenny knows more about the three mysterious deaths in the county than Tom does. She is a seventh daughter of a seventh daughter and she wants to be Tom’s first apprentice—even though a female spook is unheard of. Together, Tom and Jenny will uncover the grave danger heading straight toward the county, and they’ll team up with a witch assassin to confront it. A New Darkness begins a three-book series that will introduce new readers to Joseph Delaney’s deliciously scary imagination and delight his longtime fans. A New Darkness is perfect for every reader who loves thrills, chills, action, and adventure-no prior knowledge of the Last Apprentice series necessary! The Last Apprentice series, the first internationally bestselling series about Tom Ward, is soon to be a major motion picture, Seventh Son, starring Jeff Bridges, Ben Barnes, Alicia Vikander, Kit Harington, Olivia Williams, Antje Traue, Djimon Hounsou, and Julianne Moore as Mother Malkin.

NEW YORK TIMES BESTSELLER • An official Oprah Winfrey’s “The Books That Help Me Through” selection • The acclaimed Nobel Prize winner transfigures the coming-of-age story with this brilliantly imagined novel. Includes a foreword by the author and a new introduction by Tayari Jones. One of The Atlantic’s Great American Novels of the Past 100 Years “A rhapsodic work. . . . Intricate and inventive.” —The New Yorker Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.