ALIETTE DE BODARD – MASTER OF THE HOUSE OF DARTS

A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED   Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her? Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.

Homeland Security Secretary Catherine Blaine receives a frightening communication from a hacker identified only by the pseudonym Janus. The message is the latest in a series correctly predicting natural disasters around the world—disasters that, Janus claims, were manufactured, not natural at all. And, according to the email, unless the United States does as Janus instructs, another disaster is coming—a Category 5 hurricane that will hit the Eastern Seaboard and destroy the lives of tens of millions of people. Unaware of the crisis in Washington, investigative journalist Jon Mallory stumbles on a list of seven prominent scientists who have been murdered over the past dozen years. When the person who gave him the list disappears herself, Jon realizes he has unwittingly become part of a deadly chain of events and contacts his brother, private intelligence contractor Charles, for help. Meanwhile, Catherine Blaine has also come to Charles for help tracking down the hacker Janus and uncovering the frightening new weather technology that threatens the world.

The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism for society's future wellbeing. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.

1828. King Shaka has survived an assassination attempt. Important trade routes have been secured. Yet all is far from calm in the Zulu Empire... The bulk of Shaka's army toils in the diseased swamps of Mozambique; the white men at Port Natal have begun disobeying his laws; and enemy tribes are slowly infiltrating Zulu territory. Both king and kingdom are more vulnerable than ever. With Shaka increasingly withdrawn, it falls to the Induna - his most loyal warrior - and his trusted sidekick, to quell this disquiet. And thus begins their adventure... The duo must solve mysteries, brave battles and shed blood - and in the process face off against bandits, thieves, slavers, cannibals and plotting princes - if their magnificent kingdom and its ailing creator are to stand a chance of enduring.