FREDRICA ALLEYN – THE BRACELET

A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED   Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her? Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.

Four friends get together to watch the 1998 World Cup final. One of them has an let's write down our wishes for the next few years, put them away, and during the next final - four years from now - we'll get them out and see how many we've achieved. This is how World Cup Wishes opens, and from here we watch what happens to their wishes and their friendships as life marches on. The four men's bond is deep and solid, but tested by betrayal, death,and distance their alliance comes under pressure. Each friend offers a different perspective, though not necessarily a reliable one... and as they and the world around them change, so do their ideas of friendship and happiness. By the end they are forced to ask whether wishes can really be fulfilled. Or will their story turn out to be a requiem - for a generation, for friendship, or even for one of the four young men? Once again, Eshkol Nevo has produced a novel suffused with charm, warmth and an astonishing wisdom.

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