HUGH HOWEY - SAND
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RAPHAEL CARDETTI - DEATH IN THE LATIN QUARTER
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GOSSIP GIRL NOVEL – YOU’RE THE ONE THAT I WANT
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The wickedly funny sixth book in the #1 New York Times bestselling series that inspired the original hit CW show and the new series coming to HBO Max’s Spring 2020 launch season (alongside hit series such as Pretty Little Liars and Friends).
Welcome to New York City’s Upper East Side, where my friends and I live in gorgeous apartments, go to exclusive private schools, and make Manhattan our own personal playground. It might look hard to be this fabulous, but for us it’s as easy as sleeping with your best friend’s boyfriend.
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Kategorija: English books
Opis
Autor: Cecily von Ziegesar
Izdavač: Bloomsbury
Broj strana: 224
Povez: Mek
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ANNA JAQUIERY – THE LYING-DOWN ROOM
At night Armand lay in bed with a sadness in his heart that ballooned until there was room for nothing else.
He thought with horror of the lying-down room...
Paris; in the stifling August heat, Commandant Serge Morel is called to a disturbing crime scene. An elderly woman has been murdered to the soundtrack of Faure’s Requiem, her body then grotesquely displayed.
At first this strange case seems to offer few clues; and Morel has problems of his own. His father – always a great force in his life – is beginning to succumb to senility; and he is unsettled by the reappearance of the beautiful Mathilde, the woman he once loved. Only origami can help calm the detective and focus his thoughts on this troubling crime.
As the investigation progresses, the key suspects to emerge are a middle-aged man and a mute teenage boy who have been delivering religious pamphlets in the city’s suburbs. But as more elderly ladies are targeted, Morel will find his enquiries leading him back into the past, from the French countryside to Soviet Russia – and to two young boys with the most terrible of stories to tell...
DAVID HEWSON – THE KILLING III
A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED
Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen.
When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her?
Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.
It’s Only a Movie: Reel Life Adventures of a Film Obsessive
To avoid fainting keep repeating,
It's only a move
..only a movie
..only a movie
..only a movie
If you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon realised that there was only one career open to you - you'd have to become a film critic.
In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he embarks on a gut-wrenching journey through the former Soviet Union on the trail of the low-budget horror flick Dark Waters, cringe as he's handbagged by Helen Mirren at the BAFTA awards ceremony, cheer as he gets thrown out of the Cannes Film Festival for heckling in very bad French, and don't forget to gasp as he's shot at while interviewing Werner Herzog in the Hollywood Hills. Written with sardonic wit and wry good humour, this compelling cinematic memoir is genuinely 'inspired by real events'.
JOSEPH DELANEY – SPOOK’s: A NEW DARKNESS
A chilling new trilogy from the author of the internationally bestselling The Last Apprentice series! Tom Ward is an apprentice no longer—now he is a fully fledged spook battling boggarts, witches, and other creatures of the dark. This three-book arc will introduce brand-new readers to Joseph Delaney’s haunting world, and delight longtime fans.
Tom Ward is the spook, the one person who can defend the county from ghosts, ghasts, boggarts, witches, and other bloodthirsty creatures of the dark. But he’s only seventeen, and his apprenticeship was cut short when his master died in battle. No one trusts Tom’s skill, not till he’s proven himself. And a fifteen-year-old girl named Jenny knows more about the three mysterious deaths in the county than Tom does. She is a seventh daughter of a seventh daughter and she wants to be Tom’s first apprentice—even though a female spook is unheard of. Together, Tom and Jenny will uncover the grave danger heading straight toward the county, and they’ll team up with a witch assassin to confront it.
A New Darkness begins a three-book series that will introduce new readers to Joseph Delaney’s deliciously scary imagination and delight his longtime fans. A New Darkness is perfect for every reader who loves thrills, chills, action, and adventure-no prior knowledge of the Last Apprentice series necessary!
The Last Apprentice series, the first internationally bestselling series about Tom Ward, is soon to be a major motion picture, Seventh Son, starring Jeff Bridges, Ben Barnes, Alicia Vikander, Kit Harington, Olivia Williams, Antje Traue, Djimon Hounsou, and Julianne Moore as Mother Malkin.
MICHAEL GRANT – HUNGER
Welcome back to the FAYZ! This is Book 2 in the series that Stephen King calls a "driving, torrential narrative."
An uneasy calm has settled over Perdido Beach. But soon, fear explodes into desperation as food supplies dwindle and starvation sets in.
More and more kids are developing strange powers and, just as frighteningly, so are the animals in the FAYZ: talking coyotes, swimming bats and deadly worms with razor-sharp teeth are just the beginning.
For Sam Temple the strain of leadership is beginning to show and he's got more than just dwindling rations and in-fighting to worry about – Caine is back with the psychotic whiphand, Drake, by his side.
And deep in the ground, the biggest danger of all is getting hungry . . .
The GONE series is Lord of the Flies for the 21st century. In turns breathtaking, harrowing, and utterly terrifying. Its complex characters and moral dilemmas will delight fans of The Hunger Games, Divergent and The Maze Runner. This is dystopian fiction at its best.
PHILIP JOSE FARMER – HADON OF ANCIENT OPAR
Opar, the lost colony of Atlantis, is hidden deep in the heart of Africa, awash with incredible riches. From this ancient city comes Hadon, an impoverished but ambitious young man who sets out to win the great games of Klakor, and thus become king of the Khokarsan Empire. As his quest for the throne leads him into the wild lands beyond the empire's edge, Hadon finds himself embroiled in a bloody civil war.
Featuring a brand-new introduction and afterword by Christopher Paul Carey (Gods of Opar: Tales of Lost Khokarsa)
The Seer – Volume One of The ‘O’ Manuscript, The Scandinavian Bestseller
Bedridden for three years, author Lars Muhl was cured by a mysterious seer--only to find himself on the adventure of a lifetime . . . and beyond. The Seer is the first of three books that together comprise The O Manuscript: the story of an extraordinary personal and spiritual quest that challenges conventional wisdom and takes readers on a mystical journey through time
Them And Us: Changing Britain – Why We Need a Fair Society
The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism for society's future wellbeing. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.

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