MELISSA DE LA CRUZ – WINDS OF SALEM

A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED   Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her? Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.

Four friends get together to watch the 1998 World Cup final. One of them has an let's write down our wishes for the next few years, put them away, and during the next final - four years from now - we'll get them out and see how many we've achieved. This is how World Cup Wishes opens, and from here we watch what happens to their wishes and their friendships as life marches on. The four men's bond is deep and solid, but tested by betrayal, death,and distance their alliance comes under pressure. Each friend offers a different perspective, though not necessarily a reliable one... and as they and the world around them change, so do their ideas of friendship and happiness. By the end they are forced to ask whether wishes can really be fulfilled. Or will their story turn out to be a requiem - for a generation, for friendship, or even for one of the four young men? Once again, Eshkol Nevo has produced a novel suffused with charm, warmth and an astonishing wisdom.

A chilling new trilogy from the author of the internationally bestselling The Last Apprentice series! Tom Ward is an apprentice no longer—now he is a fully fledged spook battling boggarts, witches, and other creatures of the dark. This three-book arc will introduce brand-new readers to Joseph Delaney’s haunting world, and delight longtime fans. Tom Ward is the spook, the one person who can defend the county from ghosts, ghasts, boggarts, witches, and other bloodthirsty creatures of the dark. But he’s only seventeen, and his apprenticeship was cut short when his master died in battle. No one trusts Tom’s skill, not till he’s proven himself. And a fifteen-year-old girl named Jenny knows more about the three mysterious deaths in the county than Tom does. She is a seventh daughter of a seventh daughter and she wants to be Tom’s first apprentice—even though a female spook is unheard of. Together, Tom and Jenny will uncover the grave danger heading straight toward the county, and they’ll team up with a witch assassin to confront it. A New Darkness begins a three-book series that will introduce new readers to Joseph Delaney’s deliciously scary imagination and delight his longtime fans. A New Darkness is perfect for every reader who loves thrills, chills, action, and adventure-no prior knowledge of the Last Apprentice series necessary! The Last Apprentice series, the first internationally bestselling series about Tom Ward, is soon to be a major motion picture, Seventh Son, starring Jeff Bridges, Ben Barnes, Alicia Vikander, Kit Harington, Olivia Williams, Antje Traue, Djimon Hounsou, and Julianne Moore as Mother Malkin.

The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism for society's future wellbeing. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.