SARA PARETSKY – CRITICAL MASS

At night Armand lay in bed with a sadness in his heart that ballooned until there was room for nothing else. He thought with horror of the lying-down room... Paris; in the stifling August heat, Commandant Serge Morel is called to a disturbing crime scene. An elderly woman has been murdered to the soundtrack of Faure’s Requiem, her body then grotesquely displayed. At first this strange case seems to offer few clues; and Morel has problems of his own. His father – always a great force in his life – is beginning to succumb to senility; and he is unsettled by the reappearance of the beautiful Mathilde, the woman he once loved. Only origami can help calm the detective and focus his thoughts on this troubling crime. As the investigation progresses, the key suspects to emerge are a middle-aged man and a mute teenage boy who have been delivering religious pamphlets in the city’s suburbs. But as more elderly ladies are targeted, Morel will find his enquiries leading him back into the past, from the French countryside to Soviet Russia – and to two young boys with the most terrible of stories to tell...

A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED   Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her? Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.

A novel of dazzling wit and serious purpose. An extraordinary feat of storytelling and breathtaking invention on a grand scale, it is a tour de force from a writer who has turned science fiction on its head. "Unexpectedly savage, emotionally powerful, and impossible to forget." —The Times In a world renowned even within a galaxy full of wonders, a crime within a war. For one brother it means a desperate flight, and a search for the one — maybe two — people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, even without knowing the full truth, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was; Djan Seriy Anaplian has changed almost beyond recognition to become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilizations throughout the greater galaxy. Concealing her new identity — and her particular set of abilities — might be a dangerous strategy, however. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter.

Opar, the lost colony of Atlantis, is hidden deep in the heart of Africa, awash with incredible riches. From this ancient city comes Hadon, an impoverished but ambitious young man who sets out to win the great games of Klakor, and thus become king of the Khokarsan Empire. As his quest for the throne leads him into the wild lands beyond the empire's edge, Hadon finds himself embroiled in a bloody civil war. Featuring a brand-new introduction and afterword by Christopher Paul Carey (Gods of Opar: Tales of Lost Khokarsa)