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The original Fifty Shades of Grey, Edith Templeton's novel Gordon has been banned, pirated and published under various names for almost fifty years. Post-war London. Louisa, a smartly dressed young woman in the midst of a divorce, meets a charismatic man in a pub, and within an hour has been sexually conquered by him on a garden bench. Thus begins her baffling but magnetic love affair with Richard Gordon. Gordon, a psychiatrist, keeps Louisa in his thrall with his almost omniscient ability to see through her, and she is equally gripped by the unexpected pleasure of complete submission. Subjecting herself to repeated humiliations at his hands, but quite unable and unwilling to free herself from his control, Louisa and Gordon sink further and further into the depths - both psychologically and sexually. An extraordinary novel of psycho-sexual entanglement that was banned for indecency in England in 1966, in Gordon, Edith Templeton captures one of the most unusual and disturbing love stories ever written. 'Templeton's characters are not passive or self-doubting. Their pleasure in sexual submission is a mark of their toughness: they can take what their men give them' The New York Times 'Sexual perversion, masochistic dependency, obsession and suicide' Telegraph 'An unsettling tale of sexual obsession' The New Yorker 'It is unlikely that any young woman will write a book as good, as honest, as provocative as Gordon' Telegraph 'Superbly written and unsettling' Beryl Bainbridge Edith Templeton was born in Prague in 1916 and spent much of her childhood in a castle in the Bohemian countryside. Her short stories began to appear in The New Yorker in the 1950s and caused a major stir because of their sexual explicitness (these stories are available in one volume entitled The Darts of Cupid as a Penguin ebook). Gordon first appeared in 1966 under the pseudonym Louise Walbrook and was subsequently banned in England and Germany; it was then pirated around the world, appearing under various titles. In 2001, Edith Templeton agreed to publish the novel, with its original title, under her own name. She died in 2006.

"Nothing quite like this has ever been published before," proclaimed The Guardian about the Neapolitan novels in 2014. Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, Elena Ferrante tells the story of a lifelong friendship between two women with unmatched honesty and brilliance. The Story of the Lost Child is the concluding volume in the dazzling saga of two women — the brilliant, bookish Elena, and the fiery, uncontainable Lila. Both are now adults, with husbands, lovers, aging parents, and children. Their friendship has been the gravitational center of their lives. Both women fought to escape the neighborhood in which they grew up — a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. In this final novel she has returned to Naples, drawn back as if responding to the city's obscure magnetism. Lila, on the other hand, could never free herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect the neighborhood. Proximity to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, unforgettable. The four volumes in this series constitute a long remarkable story that readers will return to again and again, and each return will bring with it new revelations.

The fascinating characters that roam across the pages of Emma Donoghue's stories have all gone astray: they are emigrants, runaways, drifters, lovers old and new. They are gold miners and counterfeiters, attorneys and slaves. They cross other borders too: those of race, law, sex, and sanity. They travel for love or money, incognito or under duress. With rich historical detail, the celebrated author of Room takes us from puritan Massachusetts to revolutionary New Jersey, antebellum Louisiana to the Toronto highway, lighting up four centuries of wanderings that have profound echoes in the present. Astray offers us a surprising and moving history for restless times.