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The original Fifty Shades of Grey, Edith Templeton's novel Gordon has been banned, pirated and published under various names for almost fifty years. Post-war London. Louisa, a smartly dressed young woman in the midst of a divorce, meets a charismatic man in a pub, and within an hour has been sexually conquered by him on a garden bench. Thus begins her baffling but magnetic love affair with Richard Gordon. Gordon, a psychiatrist, keeps Louisa in his thrall with his almost omniscient ability to see through her, and she is equally gripped by the unexpected pleasure of complete submission. Subjecting herself to repeated humiliations at his hands, but quite unable and unwilling to free herself from his control, Louisa and Gordon sink further and further into the depths - both psychologically and sexually. An extraordinary novel of psycho-sexual entanglement that was banned for indecency in England in 1966, in Gordon, Edith Templeton captures one of the most unusual and disturbing love stories ever written. 'Templeton's characters are not passive or self-doubting. Their pleasure in sexual submission is a mark of their toughness: they can take what their men give them' The New York Times 'Sexual perversion, masochistic dependency, obsession and suicide' Telegraph 'An unsettling tale of sexual obsession' The New Yorker 'It is unlikely that any young woman will write a book as good, as honest, as provocative as Gordon' Telegraph 'Superbly written and unsettling' Beryl Bainbridge Edith Templeton was born in Prague in 1916 and spent much of her childhood in a castle in the Bohemian countryside. Her short stories began to appear in The New Yorker in the 1950s and caused a major stir because of their sexual explicitness (these stories are available in one volume entitled The Darts of Cupid as a Penguin ebook). Gordon first appeared in 1966 under the pseudonym Louise Walbrook and was subsequently banned in England and Germany; it was then pirated around the world, appearing under various titles. In 2001, Edith Templeton agreed to publish the novel, with its original title, under her own name. She died in 2006.

"Nothing quite like this has ever been published before," proclaimed The Guardian about the Neapolitan novels in 2014. Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, Elena Ferrante tells the story of a lifelong friendship between two women with unmatched honesty and brilliance. The Story of the Lost Child is the concluding volume in the dazzling saga of two women — the brilliant, bookish Elena, and the fiery, uncontainable Lila. Both are now adults, with husbands, lovers, aging parents, and children. Their friendship has been the gravitational center of their lives. Both women fought to escape the neighborhood in which they grew up — a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. In this final novel she has returned to Naples, drawn back as if responding to the city's obscure magnetism. Lila, on the other hand, could never free herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect the neighborhood. Proximity to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, unforgettable. The four volumes in this series constitute a long remarkable story that readers will return to again and again, and each return will bring with it new revelations.

Named one of the Best Books of the Year by the Washington Post, Booklist, BookPage, Library Journal, and Library Reads A New York Times Book Review Editors’ Choice Selection An IndieNext Selection A People Magazine Pick of the Week Winner of the Rome Prize Winner of the American Initiative for Italian Culture “The Bridge” Book Award Longlisted for the International DUBLIN Literary Award Longlisted for the Andrew Carnegie Medal for Excellence (Fiction) "Raw and beautiful. . . . What rises and shines from the page is Todd Aaron, a hero of such singular character and clear spirit that you will follow him anywhere. You won’t just root for him, you will fight and push and pray for him to wrest control of his future. You will read this book in one sitting or maybe two, and, I promise, you will miss this man deeply when you are done.” ―Ann Bauer, Washington Post Sent to a “therapeutic community” for autism at the age of eleven, Todd Aaron, now in his fifties, is the “Old Fox” of Payton LivingCenter. A joyous man who rereads the encyclopedia compulsively, he is unnerved by the sudden arrivals of a menacing new staffer and a disruptive, brain-injured roommate. His equilibrium is further worsened by Martine, a one-eyed new resident who has romantic intentions and convinces him to go off his meds to feel “normal” again. Undone by these pressures, Todd attempts an escape to return “home” to his younger brother and to a childhood that now inhabits only his dreams. Written astonishingly in the first-person voice of an autistic, adult man, Best Boy―with its unforgettable portraits of Todd’s beloved mother, whose sweet voice still sings from the grave, and a staffer named Raykene, who says that Todd “reflects the beauty of His creation”―is a piercing, achingly funny, finally shattering novel no reader can ever forget.

When the body of Nicola Maiden, the daughter of a retired Scotland Yard undercover officer, is found near an unidentified body in the middle of a pre-historic stone circle in Derbyshire, Inspector Lynley is asked to lead the investigation into the deaths.Lynley must get to the bottom of the crime without the assistance of his long-time partner Sergeant Barbara Havers following her demotion as a result of an internal investigation. But Barbara Havers has plans of her own, and they involve the very case that Lynley is working on ...