ANTONIO MENDEZ – ARGO

A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED   Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her? Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.

"This new PI has got a smart mouth on her, and plenty of wigs to help her find her own true character."--The New York Times Book Review (on The Red Chameleon) It begins with a bang: Kathleen Stone is watching her friend Dolly and his fellow drag queens from The Pink Parrot perform at the Halloween Parade when their float explodes. Suspecting foul play, The Pink Parrot's owner, Big Mamma, hires Kat to find the culprit. Meanwhile, Kat has not given up on her quest to bring gangster Salvatore Magrelli to justice and once more dons a disguise to infiltrate The Skyview, an exclusive club run by his wife, Eva. When she watches the club's poker dealer drop dead during a high-stakes game, she decides to look into his death as well. Upon discovering that he was also gay, she suspects that this murder could be a hate crime connected to the parade explosion.

To avoid fainting keep repeating, It's only a move ..only a movie ..only a movie ..only a movie If you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon realised that there was only one career open to you - you'd have to become a film critic. In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he embarks on a gut-wrenching journey through the former Soviet Union on the trail of the low-budget horror flick Dark Waters, cringe as he's handbagged by Helen Mirren at the BAFTA awards ceremony, cheer as he gets thrown out of the Cannes Film Festival for heckling in very bad French, and don't forget to gasp as he's shot at while interviewing Werner Herzog in the Hollywood Hills. Written with sardonic wit and wry good humour, this compelling cinematic memoir is genuinely 'inspired by real events'.

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