GABRIELLE LORD – CONSPIRACY 365 SEPTEMBER

At night Armand lay in bed with a sadness in his heart that ballooned until there was room for nothing else. He thought with horror of the lying-down room... Paris; in the stifling August heat, Commandant Serge Morel is called to a disturbing crime scene. An elderly woman has been murdered to the soundtrack of Faure’s Requiem, her body then grotesquely displayed. At first this strange case seems to offer few clues; and Morel has problems of his own. His father – always a great force in his life – is beginning to succumb to senility; and he is unsettled by the reappearance of the beautiful Mathilde, the woman he once loved. Only origami can help calm the detective and focus his thoughts on this troubling crime. As the investigation progresses, the key suspects to emerge are a middle-aged man and a mute teenage boy who have been delivering religious pamphlets in the city’s suburbs. But as more elderly ladies are targeted, Morel will find his enquiries leading him back into the past, from the French countryside to Soviet Russia – and to two young boys with the most terrible of stories to tell...

Homeland Security Secretary Catherine Blaine receives a frightening communication from a hacker identified only by the pseudonym Janus. The message is the latest in a series correctly predicting natural disasters around the world—disasters that, Janus claims, were manufactured, not natural at all. And, according to the email, unless the United States does as Janus instructs, another disaster is coming—a Category 5 hurricane that will hit the Eastern Seaboard and destroy the lives of tens of millions of people. Unaware of the crisis in Washington, investigative journalist Jon Mallory stumbles on a list of seven prominent scientists who have been murdered over the past dozen years. When the person who gave him the list disappears herself, Jon realizes he has unwittingly become part of a deadly chain of events and contacts his brother, private intelligence contractor Charles, for help. Meanwhile, Catherine Blaine has also come to Charles for help tracking down the hacker Janus and uncovering the frightening new weather technology that threatens the world.

A chilling new trilogy from the author of the internationally bestselling The Last Apprentice series! Tom Ward is an apprentice no longer—now he is a fully fledged spook battling boggarts, witches, and other creatures of the dark. This three-book arc will introduce brand-new readers to Joseph Delaney’s haunting world, and delight longtime fans. Tom Ward is the spook, the one person who can defend the county from ghosts, ghasts, boggarts, witches, and other bloodthirsty creatures of the dark. But he’s only seventeen, and his apprenticeship was cut short when his master died in battle. No one trusts Tom’s skill, not till he’s proven himself. And a fifteen-year-old girl named Jenny knows more about the three mysterious deaths in the county than Tom does. She is a seventh daughter of a seventh daughter and she wants to be Tom’s first apprentice—even though a female spook is unheard of. Together, Tom and Jenny will uncover the grave danger heading straight toward the county, and they’ll team up with a witch assassin to confront it. A New Darkness begins a three-book series that will introduce new readers to Joseph Delaney’s deliciously scary imagination and delight his longtime fans. A New Darkness is perfect for every reader who loves thrills, chills, action, and adventure-no prior knowledge of the Last Apprentice series necessary! The Last Apprentice series, the first internationally bestselling series about Tom Ward, is soon to be a major motion picture, Seventh Son, starring Jeff Bridges, Ben Barnes, Alicia Vikander, Kit Harington, Olivia Williams, Antje Traue, Djimon Hounsou, and Julianne Moore as Mother Malkin.

The third and final part of Gollancz's definitive collection of Moorcock's short fiction, this selection features some of his finest work. From 'The Time Dweller' to 'Breakfast in the Ruins', the stories here are incredibly varied in their style, execution and subject matter.