GEORGE R.R. MARTIN – WARRIORS 2

The year is Three Rabbit, and the storm is coming... The coronation war for the new Emperor has just ended in a failure, the armies retreating with a mere forty prisoners of war - not near enough sacrifices to ensure the favor of the gods. When one of those prisoners of war dies of a magical illness, ACATL, High Priest for the Dead, is summoned to investigate.

Languishing on Rafe's luxury yacht in the Mediterranean, there's nowhere for Nicole to go - except deeper into her darkest fantasies. Playboy heir Rafe Contini knows he wants raven-haired beauty Nicole Parrish the moment he sets eyes on her. But headstrong Nicole - visiting for the summer before returning to university - is new to Rafe's glamorous world, a place where anything is obtainable... at a price. And while Nicole is intoxicated by the extreme pleasure Rafe is offering, is it wise to surrender her treasured freedom? Pushing the Limits is the first in a sumptuous series starring Rafe Contini and the object of his desire: Nicole Parrish, niece of Dominic Knight, the infamous hero of CC Gibbs' bestselling Knight trilogy.

To avoid fainting keep repeating, It's only a move ..only a movie ..only a movie ..only a movie If you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon realised that there was only one career open to you - you'd have to become a film critic. In It's Only a Movie, the incomparable Mark Kermode takes us into the weird world of a life lived in widescreen. Join him as he embarks on a gut-wrenching journey through the former Soviet Union on the trail of the low-budget horror flick Dark Waters, cringe as he's handbagged by Helen Mirren at the BAFTA awards ceremony, cheer as he gets thrown out of the Cannes Film Festival for heckling in very bad French, and don't forget to gasp as he's shot at while interviewing Werner Herzog in the Hollywood Hills. Written with sardonic wit and wry good humour, this compelling cinematic memoir is genuinely 'inspired by real events'.

The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism for society's future wellbeing. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.