NICK FLYNN – BEING FLYNN

At night Armand lay in bed with a sadness in his heart that ballooned until there was room for nothing else. He thought with horror of the lying-down room... Paris; in the stifling August heat, Commandant Serge Morel is called to a disturbing crime scene. An elderly woman has been murdered to the soundtrack of Faure’s Requiem, her body then grotesquely displayed. At first this strange case seems to offer few clues; and Morel has problems of his own. His father – always a great force in his life – is beginning to succumb to senility; and he is unsettled by the reappearance of the beautiful Mathilde, the woman he once loved. Only origami can help calm the detective and focus his thoughts on this troubling crime. As the investigation progresses, the key suspects to emerge are a middle-aged man and a mute teenage boy who have been delivering religious pamphlets in the city’s suburbs. But as more elderly ladies are targeted, Morel will find his enquiries leading him back into the past, from the French countryside to Soviet Russia – and to two young boys with the most terrible of stories to tell...

Everybody knows that governments engage in activities that are top secret and not always carried out by-the-book. They are knows as 'black ops'. But perhaps less well known is that there is a level beyond this, when the very existence of the state is threatened and the situation needs fixing instantly and utterly secretly and probably violently. Sometimes, it's necessary to go 'full black'. And when the USA is in that position, the man most likely to lead the mission is former Navy SEAL Scot Harvath. FULL BLACK finds Harvath in Sweden, executing in an audacious plan to prevent a massive attack on the Unites States by leading a team to capture a suspected terrorist and infiltrate his cell with a double agent. At the same time, Larry Solomon, one of the most famous film producers in Hollywood, is attacked in his home by a special forces-style group of assassins and only escapes with the help of his friend and former Delta Force operative Luke Ralston. In making a documentary film, Solomon has unknowingly exposed one of the world's wealthiest and highly connected power-brokers as a man determined to plunge the West into deadly chaos. Now, both Solomon and Ralston are living on borrowed time. As the plots rocket to their pulse-pounding conclusions, Harvath will be left with only one means to save his country. Unable to trust anyone, he will be forced to go FULL BLACK.

Welcome back to the FAYZ! This is Book 2 in the series that Stephen King calls a "driving, torrential narrative." An uneasy calm has settled over Perdido Beach. But soon, fear explodes into desperation as food supplies dwindle and starvation sets in. More and more kids are developing strange powers and, just as frighteningly, so are the animals in the FAYZ: talking coyotes, swimming bats and deadly worms with razor-sharp teeth are just the beginning. For Sam Temple the strain of leadership is beginning to show and he's got more than just dwindling rations and in-fighting to worry about – Caine is back with the psychotic whiphand, Drake, by his side. And deep in the ground, the biggest danger of all is getting hungry . . . The GONE series is Lord of the Flies for the 21st century. In turns breathtaking, harrowing, and utterly terrifying. Its complex characters and moral dilemmas will delight fans of The Hunger Games, Divergent and The Maze Runner. This is dystopian fiction at its best.

The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism for society's future wellbeing. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.