BETH KERY – WHEN I’M WITH YOU

A FAMILY IN TURMOIL. A COUNTRY IN CRISIS. ALL DEBTS MUST BE SETTLED   Sarah Lund is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen’s 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland’s backing. Lund needs to make sense of the clues left by Emilie’s perpetrator before it’s too late. And can she finally face the demons that have long haunted her? Lund’s last case is now adapted from screen to page in the final instalment of The Killing trilogy. This is an adaptation — not a novelisation. So if you’ve seen The Killing III on TV expect plenty of surprises, included a changed cast and an entirely different ending.

A novel of dazzling wit and serious purpose. An extraordinary feat of storytelling and breathtaking invention on a grand scale, it is a tour de force from a writer who has turned science fiction on its head. "Unexpectedly savage, emotionally powerful, and impossible to forget." —The Times In a world renowned even within a galaxy full of wonders, a crime within a war. For one brother it means a desperate flight, and a search for the one — maybe two — people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, even without knowing the full truth, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was; Djan Seriy Anaplian has changed almost beyond recognition to become an agent of the Culture's Special Circumstances section, charged with high-level interference in civilizations throughout the greater galaxy. Concealing her new identity — and her particular set of abilities — might be a dangerous strategy, however. In the world to which Anaplian returns, nothing is quite as it seems; and determining the appropriate level of interference in someone else's war is never a simple matter.

Kristen Simmons' fast-paced, gripping YA dystopian series continues in Three. Ember Miller and Chase Jennings are ready to stop running. After weeks spent in hiding as two of the Bureau of Reformation's most wanted criminals, they have finally arrived at the safe house, where they hope to live a safe and quiet existence. And all that's left is smoking ruins. Devastated by the demolition of their last hope, Ember and Chase follow the only thing left to them―tracks leading away from the wreckage. The only sign that there may have been survivors. With their high profile, they know they can't stay out in the open for long. They take shelter in the wilderness and amidst the ruins of abandoned cities as they follow the tracks down the coast, eventually finding refugees from the destroyed safe house. Among them is someone from Chase's past―someone he never thought he'd see again. Banding together, they search for a place to hide, aiming for a settlement a few of them have heard about…a settlement that is rumored to house the nebulous organization known as Three. The very group that has provided Ember with a tiny ray of hope ever since she was first forced on the run. Three is responsible for the huge network of underground safe houses and resistance groups across the country. And they may offer Ember her only chance at telling the world her story. At fighting back.

The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism for society's future wellbeing. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.